![]() Incorporating detailed depictions of youth culture in the banlieue, especially among immigrants, through attention to music, fashion and slang, Kassovitz paints an intimate picture of the trio’s everyday lives. Kassovitz acquaints the audience with young protagonists Vinz (Vincent Cassel), Saïd (Saïd Taghmaoui) and Hubert (Hubert Koundé) over the span of a tumultuous 24 hours as they wait for updates about their friend Abdel (Abdel Ahmed Ghili), who lay comatose in the hospital after being arrested and assaulted by police. Moments of joy, comedy and camaraderie interject the film’s gritty depiction of a Parisian banlieue - one of many working-class suburbs on the city’s outskirts faced with violence and unrest. A commentary on French police brutality in the 1990s, “La Haine” is gripping until the last second and its lasting social significance spans decades and continents. More than 25 years after making waves at the 1995 Cannes Film Festival, the relevance of French director Mathieu Kassovitz’s “La Haine” has reverberated much further than its initial extended standing ovation.
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